Chapter 8

God cannot effect that anything which is
past should not have been.
It is more impossible than rising the dead.
--Summa Theologica

The moment I was out of sight of the audience I broke away from Sid and ran to the dressing room. I flopped down on the first chair I saw, my head and arms trailed over its back, and I almost passed out. It wasn’t a mind-wavery fit. Just normal faint.

I couldn’t have been there long--well, not very long, though the battle-rattle and alarums of the last scene were echoing tinnily from the stage--when Bruce and Beau and Mark (who was playing Malcolm, Martin’s usual main part) came in wearing their last-act stage-armor and carrying between them Queen Elizabeth flaccid as a sack. Martin came after them, stripping off his white wool nightgown so fast that buttons flew. I thought automatically, I’ll have to sew those.

They laid her down on three chairs set side by side and hurried out. Unpinning the folded towel, which had fallen around his waist, Martin walked over and looked down at her. He yanked off his wig by a braid and tossed it at me.

I let it hit me and fall on the floor. I was looking at that white queenly face, eyes open and staring sightless at the ceiling, mouth open a little too with a thread of foam trailing from the corner, and at that ice-cream-cone bodice that never stirred. The blue fly came buzzing over my head and circled down toward her face.

“Martin,” I said with difficulty, “I don’t think I’m going to like what we’re doing.”

He turned on me, his short hair elfed, his fists planted high on his hips at the edge of his black tights, which now were all his clothes.

“You knew!” he said impatiently. “You knew you were signing up for more than acting when you said, ‘Count me in the company.’”

Like a legged sapphire the blue fly walked across her upper lip and stopped by the thread of foam.

“But Martin ... changing the past ... dipping back and killing the real queen ... replacing her with a double--”

His dark brows shot up. “The real--You think this is the real Queen Elizabeth?” He grabbed a bottle of rubbing alcohol from the nearest table, gushed some on a towel stained with grease-paint and, holding the dead head by its red hair (no, wig--the real one wore a wig too) scrubbed the forehead.

The white cosmetic came away, showing sallow skin and on it a faint tattoo in the form of an “S” styled like a yin-yang symbol left a little open.

“Snake!” he hissed. “Destroyer! The arch-enemy, the eternal opponent! God knows how many times people like Queen Elizabeth have been dug out of the past, first by Snakes, then by Spiders, and kidnapped or killed and replaced in the course of our war. This is the first big operation I’ve been on, Greta. But I know that much.”

My head began to ache. I asked, “If she’s an enemy double, why didn’t she know a performance of Macbeth in her lifetime was an anachronism?”

“Foxholed in the past, only trying to hold a position, they get dulled. They turn half zombie. Even the Snakes. Even our people. Besides, she almost did catch on, twice when she spoke to Leicester.”

“Martin,” I said dully, “if there’ve been all these replacements, first by them, then by us, what’s happened to the real Elizabeth?”

He shrugged. “God knows.”

I asked softly, “But does He, Martin? Can He?”

He hugged his shoulders in, as if to contain a shudder. “Look, Greta,” he said, “it’s the Snakes who are the warpers and destroyers. We’re restoring the past. The Spiders are trying to keep things as first created. We only kill when we must.”

I shuddered then, for bursting out of my memory came the glittering, knife-flashing, night-shrouded, bloody image of my lover, the Spider soldier-of-change Erich von Hohenwald, dying in the grip of a giant silver spider, or spider-shaped entity large as he, as they rolled in a tangled ball down a flight of rocks in Central Park.

But the memory-burst didn’t blow up my mind, as it had done a year ago, no more than snapping the black thread from my sweater had ended the world. I asked Martin, “Is that what the Snakes say?”

“Of course not! They make the same claims we do. But somewhere, Greta, you have to trust.” He put out the middle finger of his hand.

I didn’t take hold of it. He whirled it away, snapping it against his thumb.

“You’re still grieving for that carrion there!” he accused me. He jerked down a section of white curtain and whirled it over the stiffening body. “If you must grieve, grieve for Miss Nefer! Exiled, imprisoned, locked forever in the past, her mind pulsing faintly in the black hole of the dead and gone, yearning for Nirvana yet nursing one lone painful patch of consciousness. And only to hold a fort! Only to make sure Mary Stuart is executed, the Armada licked, and that all the other consequences flow on. The Snakes’ Elizabeth let Mary live ... and England die ... and the Spaniard hold North America to the Great Lakes and New Scandinavia.”

Once more he put out his middle finger.

“All right, all right,” I said, barely touching it. “You’ve convinced me.”

“Great!” he said. “‘By for now, Greta. I got to help strike the set.”

“That’s good,” I said. He loped out.

I could hear the skirling sword-clashes of the final fight to the death of the two Macks, Duff and Beth. But I only sat there in the empty dressing room pretending to grieve for a devil-smiling snow tiger locked in a time-cage and for a cute sardonic German killed for insubordination that I had reported ... but really grieving for a girl who for a year had been a rootless child of the theater with a whole company of mothers and fathers, afraid of nothing more than subway bogies and Park and Village monsters.