The Laughing Girl
Public Domain
Chapter 13: In the Rain
That afternoon I fled the house. This new invasion of my privacy had quite upset me. Bulgarian and Greek royalty had been difficult enough to endure, but this new wagon-load of huns and near-huns proved too much for me.
If there were any privacy at all to be had it seemed that I must seek it in the woods. And thither I fled under an umbrella, a book under one arm, a fishing rod under the other, and my pockets full of smoking material.
For I preferred to sit on the wet moss in the rain, and read and smoke and fish under my ancient green gamp—even if the seat of my trousers did become soaking wet—rather than listen to the gobbling gabble of those Teutons and witness their bad manners and their unpleasant personal habits.
So, as I say, as soon as the new arrivals had registered and had been assigned to rooms I made up my mind to inhabit the woods during their occupation of my property, and invited Smith to share my indignant seclusion.
He declined, probably because, whoever he really was and whatever might be his job, the one and the other very evidently had to do with this bunch of assorted boches.
He said very politely that he didn’t enjoy privacy when it was sopping wet. He smiled when he said it. We were standing at the desk in the big living-room: the huns, both royalty and new arrivals, had gone to their rooms, and Smith was carelessly examining the register where my guests’ signatures had been inscribed in the pale and watery ink of the country.
“A pretty kettle of fish,” I commented, looking over his shoulder. “But this new consignment of boches doesn’t seem to be camouflaged. These are their real names, I fancy.”
“I happen to know that they are,” said Smith.
He began to read the names aloud just as they were written; and I noticed the lazy amusement in his pleasant, even voice as he commented upon each signature:
“‘General Count von Dungheim‘! Oh, yes; he belonged to Tino’s suite when he was kicked out of Athens. They call him ‘Droly.’ He did some dirty work there—instigated the murder of the allied detachments. He’s a big, thin Prussian with a capacity for gluttony equal only to the Bulgarian King’s. He enjoys only one eye.
“‘Baron von Bummelzug‘! Oh, certainly. He’s a Bavarian civilian. He engineered the treacherous surrender of that Greek army corps. He also was in Tino’s suite, and still is.
“‘Admiral Lauterlaus‘! Tino’s ex-naval aide. Tried dirty work on the Allied fleet off Samos. A Prussian, —mostly belly and head.
“‘Princess Pudelstoff‘! She was that enormously fat woman, Michael, who kissed King Ferdinand on both cheeks and left two wet spots. She’s one of those German-Russians from Courland attached to the Bulgarian court, and related to Ferdinand in some degree or other, —irregularly.
“‘Countess Manntrapp‘! The pretty girl. You remember her honeyed, cooing voice when you were presented to her?—and her ecstatic baby stare, as though acquaintance with a Chilean gentleman had been the secret ambition of her life, and the realization overwhelmed her? Well, old top, there you have Lila Shezawitch, Countess Manntrapp—the widow of that brainless old reprobate, the cavalryman, who disappeared in some Russian swamp-hole when Hindenburg made his mark among the lakes.
“‘Adolf Gizzler‘! Look out for that rat, Michael. He’s a bum school-teacher, Bummelzug’s secretary.
“‘Leo Puppsky‘! What do you know about that Bolshevik being here in Switzerland? And
“‘Isidore Wildkatz, ‘ too! Here they are with the huns, this pair of Judases! Oh, you’re quite right, Michael. It’s a pretty kettle of fish. I don’t blame you for taking to the woods, rain or no rain.”
“You won’t come, too?” I asked. He smiled, and I understood.
He was such a decent sort. I had become very fond of him.
“All right,” said I; “don’t get yourself into trouble. That’s certainly a sinister bunch of boches as well as an unpleasant one.”
“Good old Michael,” he said, patting my shoulder.
So I took to the woods with rod and book, and a camp-stool I picked up on the veranda.
Heavens, how it rained! But I stopped at the barn-yard, found a manure-fork, and disinterred a tin canful of angle-worms. Then I marched on in the teeth of the storm, umbrella over my head, and entered that pretty woodland path which Thusis and I had once trodden together on our food-conservation quest.
The memory inclined me to sentimental reverie, and, with my dripping gamp over my head, I slopped along in a sort of trance, my brain a maze of vague enchantment as images of Thusis or of my photograph of The Laughing Girl alternately occupied my thoughts.
For, when alone, these two lovely phantoms always became inextricably mixed. I could not seem to differentiate between them in memory. And which was the loveliest I could not decide because the resemblance was too confusing.
And so, in a sort of delicious daze, I arrived at the foot-bridge.
Here I spread my camp-stool by the green pool’s edge. It was a torrent, now, but still as brilliant and clear as a beryl, and that it lacked its natural and emerald clarity did not deter me from baiting my hook with several expostulating worms, and hurling it forth into the foaming basin.
To hold a fishing rod in one fixed position bores me, and always did. So I laid the rod on the bank, placed a flat stone on the butt, and, sheltered under my umbrella, lighted a pipe and opened my book.
But the book soon bored me, too. It was a novel by one of the myriads of half-educated American “authors” who resemble a countryman I once knew who called himself a “natural bone-setter” and enjoyed a large and furtive practice among neighboring clodhoppers to the indignation of all the local physicians.
There are thousands of “authors” in the United States. But there are very few writers.
And this novel was by an author, and my attention wandered.
Through an opening in the forest on a clear day one might look out upon a world of mountains eastward. I realized there could be no view through the thickly falling rain, but I turned around. And, to my surprise, I beheld a cloaked figure poised upon the chasm’s distant edge, peering out into the storm through a pair of field-glasses.
I knew that figure in spite of the cloak. Nor could the thickly slanting rain quench the glorious color of that burnished hair.
“Thusis!” I shouted.
Slowly the figure turned, glasses still poised; and I saw her looking in my direction.
“I’m fishing!” I called out joyously. “Come under my umbrella!”
She cast a glance behind her toward the blank void where, on clear days, the bulk of the Bec de l’Empereur towered aloft in its mantle of dazzling snow. Then she slowly walked toward me through the rain.
When she came near to where I sat, she began to laugh; and I never saw such an exquisite sight as Thusis, bare-headed in the rain, laughing.
“What on earth are you up to, Michael?” she said.
“Fishing. That herd of huns will eat us out of house and garden if we don’t catch something. Sit beside me under the umbrella, Thusis. There’s room if we’re careful and don’t let the camp-stool collapse.”
She gave me an inscrutable glance, stood motionless for a few moments, then slowly came over.
“Careful now,” I cautioned her, rising. “We must both seat ourselves at the same instant or this camp-stool will close up like a jack-knife. Are you ready?”
She laughed and inclined her pretty head.
“Then—one! two! three! Sit!”
We managed to accomplish it without an accident.
“We’re too close together,” she protested.
“Don’t stir,” said I. “Do you feel how it wabbles?”
She tested the camp-stool cautiously, and nodded.
“What an absurd situation,” she remarked, glancing up at the gamp which I held over us.
“I think it’s very jolly.” She didn’t look at me; we were too close—so close that we might possibly have rubbed noses if either turned. But in her side-long glance I noted both amusement and irony.
“Have you caught anything, Don Michael?”
“Not a bally thing.”
“What are you reading?”
“A book of sorts—a novel by an ‘author’ who lacks education, cultivation, experience, vocabulary, and a working knowledge of English grammar. In other words, Thusis, a typical American ‘author, ‘—one of the Bolsheviki of literature whose unlettered Bolshevik readers are recruited from the same audience that understands and roars with laughter at the German and Jewish jokes which compose the librettos of our New York musical comedies.”
Thusis turned up her pretty nose and shrugged—or tried to, —but nearly upset me, and desisted.
“It’s silly to sit here like two hens on a roost,” she said.
“It’s cozy,” said I with a blissful smile that perhaps approached the idiotic.
“Cozy or not,” she insisted, “we resemble a pair of absurd birds.”
“Then,” said I, “one of us ought to twitter and begin to sing.”
We both laughed. “The last time we were here together,” I reminded her, “you were singing all the while.”
“Was I?”
“Yes, and I liked it—although your detachment was not flattering to me.”
“Poor Michael. Did you feel abused?”
“It’s no novel feeling,” said I.
“You ungrateful young man! Do you mean to insinuate that I abuse you? I—who go fishing with you, stop my house-work to gossip with you, sit on the stairs with you at three in the morning—and in my nightie, too——”
“What an incident for a best-seller!” said I. “Fancy the fury of the female critic! Imagine the rage of the ‘good woman’!”
“You are satirical, Don Michael.”
“Doesn’t satire amuse you?”
“I adore it.”
“Nothing,” said I, “so angers ignorance as satire, because it is not understood, and ignorance becomes suspicious when it does not understand anything. Ignorance mistakes dullness for depth. That is why dull books are so widely read.
“There is, in America, Thusis, a vast desert inhabited by ‘authors’ who produce illiterature.
“Similar deserts, though less in area, exist in other sections of America. By its ear-marks, however, I guess that this book was ‘authorized’ somewhere west of Chicago. Don’t read it. Only ‘a good woman’ could enjoy it.”
Thusis laughed. “Don’t you admire good women and critics?”
“The American critic,” said I, “is usually female but not necessarily feminine in sex. It is what is reverently known as ‘a good woman’—and like a truffle-hound its nose for immorality is so keen that it can discover a bad smell where there isn’t any.”
Thusis threw back her head and yielded to laughter unrestrained.
“So you think there was nothing immoral in sitting on the stairs with you in my nightie?”
“Was there?”
“Of course not. Clean minds are independent of clothes. As for clothing, I often wish these were Greek times and I were rid of all my duds except sandals and a scarf.”
“It’s all very well for you to wish that, Thusis, but consider the spectacle of the Princess Pudelstoff, for example, in Olympian attire——”
And Thusis went off into a gale of laughter, endangering our mutual stability on the camp-stool. Which scared her, —an unpremeditated bath in the pool having been narrowly averted—and she said again that it was silly of us to sit there like a pair of imbecile dicky-birds.
“Then tune up, Thusis. You seem to know a lot of songs. I liked that odd, weird, sweet little song you kept singing about Naxos and Tenedos.”
“I didn’t suppose you noticed it, Michael.”
“I notice everything concerning you.”
Looking at her sideways I saw the charming color deepen in her cheeks.
“Is that paying court to you or making love to you?” I added.
“I don’t know. Somehow, when you pay court to me, you make it sound like—the other thing.”
“But I am in love——”
“Wait,” she said hastily. “I’ll sing another funny song—the same sort of song you found so amusing—about Naxos and Tenedos. It is called ‘Invocations.’”
As a little bird looks up to heaven after every sip of water, so Thusis looked up after inspiration had sufficiently saturated her. She lifted her pretty voice as clearly and sweetly as a linnet sings in the falling rain:
“Wine poured out to Aphrodite,
On thy sacred sands,
In libations to the mighty
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