Chapter 3

Engineering had long ago come to an end.

Engineering is possible under one condition of the equation: Total available Calories divided by Population equals Artistic-Technological Style. When the ratio Calories-to-Population is large--say, five thousand or more, five thousand daily calories for every living person--then the Artistic-Technological Style is big. People carve Mount Rushmore; they build great foundries; they manufacture enormous automobiles to carry one housewife half a mile for the purchase of one lipstick.

Life is coarse and rich where C:P is large. At the other extreme, where C:P is too small, life does not exist at all. It has starved out.

Experimentally, add little increments to C:P and it will be some time before the right-hand side of the equation becomes significant. But at last, in the 1,000 to 1,500 calorie range, Artistic-Technological Style firmly appears in self-perpetuating form. C:P in that range produces the small arts, the appreciations, the peaceful arrangements of necessities into subtle relationships of traditionally agreed-upon virtue.

Think of Japan, locked into its Shogunate prison, with a hungry population scrabbling food out of mountainsides and beauty out of arrangements of lichens. The small, inexpensive sub-sub-arts are characteristic of the 1,000 to 1,500 calorie range.

And this was the range of Earth, the world of ten billion men, when the planet was stolen by its new binary.

Some few persons inexpensively studied the study of science with pencil and renewable paper, but the last research accelerator had long since been shut down. The juice from its hydro-power dam was needed to supply meager light to a million homes and to cook the pablum for two million brand-new babies.

In those days, one dedicated Byzantine wrote the definitive encyclopedia of engineering (though he was no engineer). Its four hundred and twenty tiny volumes examined exhaustively the engineering feats of ancient Greece and Egypt, the Wall of Shih-Hwang Ti, the Gothic builders, Brunel who changed the face of England, the Roeblings of Brooklyn, Groves of the Pentagon, Duggan of the Shelter System (before C:P dropped to the point where war became vanishingly implausible), Levern of Operation Up. But the encyclopedist could not use a slide rule without thinking, faltering, jotting down his decimals.

And then ... the magnitudes grew less.

Under the tectonic and climatic battering of the great abduction of Earth from its primary, under the sine-wave advances to and retreats from the equator of the ice sheath, as the small successor Suns waxed, waned, died and were replaced, the ratio C:P remained stable. C had diminished enormously; so had P. As the calories to support life grew scarce, so the consuming mouths of mankind grew less in number.

The forty-fifth small Sun shone on no engineers.

Not even on the binary, perhaps. The Pyramids, the things on the binary, the thing on Mount Everest--they were not engineers. They employed a crude metaphysic based on dissection and shoving.

They had no elegant field theories. All they knew was that everything came apart, and that if you pushed a thing, it would move.

If your biggest push would not move a thing, you took it apart and pushed the parts, and then it would move. Sometimes, for nuclear effects, they had to take things apart into 3 × 10^9 pieces and shove each piece very carefully.

By taking apart and shoving, then, they landed their one spaceship on the burned-out sunlet. Four human beings were on that ship. They meditated briefly on Connectivity and died screaming.

A point of new flame appeared on the sunlet’s surface and the spaceship scrambled for the binary. The point of flame went from cherry through orange into the blue-white and began to spread.

At the moment of the Re-creation of the Sun, there was rejoicing on the Earth.

Not quite everywhere, though. In Wheeling’s House of the Five Regulations, Glenn Tropile waited unquietly for death. Citizen Boyne, who had run amok and slaughtered the baker, shared Tropile’s room and his doom, but not his rage. Boyne, with demure pleasure, was composing his death poem.

“Talk to me!” snapped Tropile. “Why are we here? What did you do and why did you do it? What have I done? Why don’t I pick up a bench and kill you with it? You would’ve killed me two hours ago if I’d caught your eye!”

There was no satisfaction in Citizen Boyne; the passions were burned out of him. He politely tendered Tropile a famous aphorism: “Citizen, the art of living is the substitution of unimportant, answerable questions for important, unanswerable ones. Come, let us appreciate the new-born Sun.”

He turned to the window, where the spark of blue-white flame in what had once been the crater of Tycho was beginning to spread across the charred moon.

Tropile was child enough of his culture to turn with him, almost involuntarily. He was silent. That blue-white infinitesimal up there growing slowly--the oneness, the calm rapture of Being in a universe that you shaded into without harsh discontinua, the being one with the great blue-white gem-flower blossoming now in the heavens that were no different stuff than you yourself--

He closed his eyes, calm, and meditated on Connectivity.

He was being Good.

By the time the fusion reaction had covered the whole small disk of the sunlet, a quarter-hour at the most, his meditation began to wear off.

Tropile shrugged out of his torn parka, not bothering to rip it further. It was already growing warm in the room. Citizen Boyne, of course, was carefully opening every seam with graceful rending motions, miming great and smooth effort of the biceps and trapezius.

But the meditation was over, and as Tropile watched his cellmate, he screamed a silent Why? Since his adolescence, that wailing syllable had seldom been far from his mind. It could be silenced by appreciation and meditation.

Tropile’s specialty was Water Watching and he was so good at it that several beginners had asked him for instruction in the subtle art, in spite of his notorious oddities of life and manner. He enjoyed Water Watching. He almost pitied anybody so single-mindedly devoted to, say, Clouds and Odors--great game though it was--that he had never even tried Water Watching. And after a session of Watching, when one was lucky enough to observe the Nine Boiling Stages in classic perfection, one might slip into meditation and be harmonious, feel Good.