The Goddess of Atvatabar
Public Domain
Chapter 16: The King Unfolds the Grandeur of Atvatabar
“Your majesty,” I said, “informs us that Atvatabar possesses science and art, invention and poetry. These matters interest us quite as much as your civil and military constitution. We will feel grateful if your majesty will inform us more particularly regarding the condition of those great forces for the development of the soul.”
“You are right,” said the king; “the government and the protection of society, although matters of the utmost importance, are always much inferior to the glory they defend. Mere police duties can never rank with the sovereignty of mind over matter.”
“In other words,” said I, “the barricade is ever inferior to the palace, and the treasure house to the heaps of gold within it. But, your majesty, in what way does mind triumph over matter in your realm?”
“Well,” said the king, “we worship the human soul under a thousand forms, arranged in three great circles of deities. The first circle contains the gods of invention, that is, the practical forms by which ideas rule the physical world, and also the composite forms of the inventors themselves. The second circle contains the gods of art, and the third circle the spiritual gods of sorcery, magic and love. What gods do you people of the outer world worship?”
“In my own country,” I replied, “a great many people worship one God, the Creator of the universe. Many of these only nominally worship God, but in reality worship gold, while a still greater number worship gold without pretence of worshipping anything else.”
“Then,” said the king, “gold is your god. Our god is the aggregated universal human soul worshipped under its various manifestations, both real and ideal. This universal human soul forms the one supreme god Harikar, whom we worship in the person of a living woman, the Supreme Goddess Lyone. The great generic symbol of our faith is the golden throne of the gods in the Bormidophia, whereon sits Lyone, the supreme goddess, the representative of Harikar.”
“Harikar is then your supreme deity?” I remarked.
“Greatest, for he embraces all other gods,” said the king. “But the greatest individual god is the Supreme Goddess, the symbol of the Holy Soul.”
I felt a strange desire to learn everything about so singular a divinity as Lyone. It was a weird, awful, yet terribly entrancing thought, that amid a thousand gods of dead and silent gold one only should be alive, and that one a beautiful woman. Was it possible that a live goddess could exist, and be both young and handsome? I was anxious to ask a thousand questions concerning this mysterious being, but it seemed a sacrilege to ask them. Was it possible for her to continue worthy of worship, a human being, intoxicated, as she must be, by the ceaseless adoration of millions? In other words, can a woman be a veritable goddess and live? These ideas rushed through my soul like quicksilver. My brain reeled with this discovery of the secret of Atvatabar! What to me were its never-setting sun, its want of gravity, its flying wayleals and bockhockids, its sculptured cities, its sacred locomotive, its miracles of mechanism and art, compared to a real live goddess with warm blood and a beating heart! No wonder the discovery thrilled me! I felt like embracing his majesty for the information, so simply given, that filled me with delight!
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