Atlantida
Public Domain
Chapter 17: The Maidens Of The Rocks
I awakened in my room. The sun, already at its zenith, filled the place with unbearable light and heat.
The first thing I saw, on opening my eyes, was the shade, ripped down, lying in the middle of the floor. Then, confusedly, the night’s events began to come back to me.
My head felt stupid and heavy. My mind wandered. My memory seemed blocked. “I went out with the leopard, that is certain. That red mark on my forefinger shows how he strained at the leash. My knees are still dusty. I remember creeping along the wall in the room where the white Tuareg were playing at dice. That was the minute after King Hiram had leapt past them. After that ... oh, Morhange and Antinea ... And then?”
I recalled nothing more. I recalled nothing more. But something must have happened, something which I could not remember.
I was uneasy. I wanted to go back, yet it seemed as if I were afraid to go. I have never felt anything more painful than those conflicting emotions.
“It is a long way from here to Antinea’s apartments. I must have been very sound asleep not to have noticed when they brought me back--for they have brought me back.”
I stopped trying to think it out. My head ached too much.
“I must have air,” I murmured. “I am roasting here; it will drive me mad.”
I had to see someone, no matter whom. Mechanically, I walked toward the library.
I found M. Le Mesge in a transport of delirious joy. The Professor was engaged in opening an enormous bale, carefully sewed in a brown blanket.
“You come at a good time, sir,” he cried, on seeing me enter. “The magazines have just arrived.”
He dashed about in feverish haste. Presently a stream of pamphlets and magazines, blue, green, yellow and salmon, was bursting from an opening in the bale.
“Splendid, splendid!” he cried, dancing with joy. “Not too late, either; here are the numbers for October fifteenth. We must give a vote of thanks to good Ameur.”
His good spirits were contagious.
“There is a good Turkish merchant who subscribes to all the interesting magazines of the two continents. He sends them on by Rhadamès to a destination which he little suspects. Ah, here are the French ones.”
M. Le Mesge ran feverishly over, the tables of contents.
“Internal politics: articles by Francis Charmes, Anatole Leroy-Beaulieu, d’Haussonville on the Czar’s trip to Paris. Look, a study by Avenel of wages in the Middle Ages. And verse, verses of the young poets, Fernand Gregh, Edmond Haraucourt. Ah, the resumé of a book by Henry de Castries on Islam. That may be interesting ... Take what you please.”
Joy makes people amiable and M. Le Mesge was really delirious with it.
A puff of breeze came from the window. I went to the balustrade and, resting my elbows on it, began to run through a number of the Revue des Deux Mondes.
I did not read, but flipped over the pages, my eyes now on the lines of swarming little black characters, now on the rocky basin which lay shivering, pale pink, under the declining sun.
Suddenly my attention became fixed. There was a strange coincidence between the text and the landscape.
“In the sky overhead were only light shreds of cloud, like bits of white ash floating up from burnt-out logs. The sun fell over a circle of rocky peaks, silhouetting their severe lines against the azure sky. From on high, a great sadness and gentleness poured down into the lonely enclosure, like a magic drink into a deep cup...”[17]
[Footnote 17: Gabrielle d’Annunzio: Les Vierges aux Rochers. Cf. The Revue des Deux Mondes of October 15, 1896; page 867.]
I turned the pages feverishly. My mind seemed to be clearing.
Behind me, M. Le Mesge, deep in an article, voiced his opinions in indignant growls.
I continued reading:
“On all sides a magnificent view spread out before us in the raw light. The chain of rocks, clearly visible in their barren desolation which stretched to the very summit, lay stretched out like some great heap of gigantic, unformed things left by some primordial race of Titans to stupefy human beings. Overturned towers...”
“It is shameful, downright shameful,” the Professor was repeating.
“Overturned towers, crumbling citadels, cupolas fallen in, broken pillars, mutilated colossi, prows of vessels, thighs of monsters, bones of titans, --this mass, impassable with its ridges and gullies, seemed the embodiment of everything huge and tragic. So clear were the distances...”
“Downright shameful,” M. Le Mesge kept on saying in exasperation, thumping his fist on the table.
“So clear were the distances that I could see, as if I had it under my eyes, infinitely enlarged, every contour of the rock which Violante had shown me through the window with the gesture of a creator...”
Trembling, I closed the magazine. At my feet, now red, I saw the rock which Antinea had pointed out to me the day of our first interview, huge, steep, overhanging the reddish brown garden.
“That is my horizon,” she had said.
M. Le Mesge’s excitement had passed all bounds.
“It is worse than shameful; it is infamous.”
I almost wanted to strangle him into silence. He seized my arm.
“Read that, sir; and, although you don’t know a great deal about the subject, you will see that this article on Roman Africa is a miracle of misinformation, a monument of ignorance. And it is signed ... do you know by whom it is signed?”
“Leave me alone,” I said brutally.
“Well, it is signed Gaston Boissier. Yes, sir! Gaston Boissier, grand officer of the Legion of Honor, lecturer at the Ecole Normale Supérieure, permanent secretary of the French Academy, member of the Academy of Inscriptions and Literature, one of those who once ruled out the subject of my thesis ... one of those ... ah, poor university, ah, poor France!”
I was no longer listening. I had begun to read again. My forehead was covered with sweat. But it seemed as if my head had been cleared like a room when a window is opened; memories were beginning to come back like doves winging their way home to the dovecote.
“At that moment, an irrepressible tremor shook her whole body; her eyes dilated as if some terrible sight had filled them with horror.
“‘Antonello, ‘ she murmured.
“And for seconds, she was unable to say another word.
“I looked at her in mute anguish and the suffering which drew her dear lips together seemed also to clutch at my heart. The vision which was in her eyes passed into mine, and I saw again the thin white face of Antonello, and the quick quivering of his eyelids, the waves of agony which seized his long worn body and shook it like a reed.”
I threw the magazine upon the table.
“That is it,” I said.
To cut the pages, I had used the knife with which M. Le Mesge had cut the cords of the bale, a short ebony-handled dagger, one of those daggers that the Tuareg wear in a bracelet sheath against the upper left arm.
I slipped it into the big pocket of my flannel dolman and walked toward the door.
I was about to cross the threshold when I heard M. Le Mesge call me.
“Monsieur de Saint Avit! Monsieur de Saint Avit!
“I want to ask you something, please.”
“What is it?”
“Nothing important. You know that I have to mark the labels for the red marble hall...”
I walked toward the table.
“Well, I forgot to ask M. Morhange, at the beginning, the date and place of his birth. After that, I had no chance. I did not see him again. So I am forced to turn to you. Perhaps you can tell me?”
“I can,” I said very calmly.
He took a large white card from a box which contained several and dipped his pen.
“Number 54 ... Captain?”
“Captain Jean-Marie-François Morhange.”
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