Chapter 7

I know death hath ten thousand several doors
For men to take their exits, and ‘tis found
They go on such strange geometrical hinges,
You may open them both ways.
--The Duchess

There is this about an actor on stage: he can see the audience but he can’t look at them, unless he’s a narrator or some sort of comic. I wasn’t the first (Grendel groks!) and only scared to death of becoming the second as Siddy walked me out of the wings onto the stage, over the groundcloth that felt so much like ground, with a sort of interweaving policeman-grip on my left arm.

Sid was in a dark gray robe looking like some dismal kind of monk, his head so hooded for the Doctor that you couldn’t see his face at all.

My skull was pulse-buzzing. My throat was squeezed dry. My heart was pounding. Below that my body was empty, squirmy, electricity-stung, yet with the feeling of wearing ice cold iron pants.

I heard as if from two million miles, “When was it she last walked?” and then an iron bell somewhere tolling the reply--I guess it had to be my voice coming up through my body from my iron pants: “Since his majesty went into the field--” and so on, until Martin had come on stage, stary-eyed, a white scarf tossed over the back of his long black wig and a flaring candle two inches thick gripped in his right hand and dripping wax on his wrist, and started to do Lady Mack’s sleepwalking half-hinted confessions of the murders of Duncan and Banquo and Lady Macduff.

So here is what I saw then without looking, like a vivid scene that floats out in front of your mind in a reverie, hovering against a background of dark blur, and sort of flashes on and off as you think, or in my case act. All the time, remember, with Sid’s hand hard on my wrist and me now and then tolling Shakespearan language out of some lightless storehouse of memory I’d never known was there to belong to me.

There was a medium-size glade in a forest. Through the half-naked black branches shone a dark cold sky, like ashes of silver, early evening.

The glade had two horns, as it were, narrowing back to either side and going off through the forest. A chilly breeze was blowing out of them, almost enough to put out the candle. Its flame rippled.

Rather far back in the horn to my left, but not very far, were clumped two dozen or so men in dark cloaks they huddled around themselves. They wore brimmed tallish hats and pale stuff showing at their necks. Somehow I assumed that these men must be the “rude fellows from the City” I remembered Beau mentioning a million or so years ago. Although I couldn’t see them very well, and didn’t spend much time on them, there was one of them who had his hat off or excitedly pushed way back, showing a big pale forehead. Although that was all the conscious impression I had of his face, he seemed frighteningly familiar.

In the horn to my right, which was wider, were lined up about a dozen horses, with grooms holding tight every two of them, but throwing their heads back now and then as they strained against the reins, and stamping their front hooves restlessly. Oh, they frightened me, I tell you, that line of two-foot-long glossy-haired faces, writhing back their upper lips from teeth wide as piano keys, every horse of them looking as wild-eyed and evil as Fuseli’s steed sticking its head through the drapes in his picture “The Nightmare.”