Tom's extraordinary machine glowed--and the years were banished from Old Crompton's body. But there still remained, deep-seated in his century-old mind, the memory of his crime.
There are times when a broken tool is better than a sound one, or a twisted personality more useful than a whole one. For instance, a whole beer bottle isn't half the weapon that half a beer bottle is.
Jeffrey Meyer had a killing on his mind. It meant nothing to him that his towering Twenty-first Century world was going mad. He shouldered aside the rising tide of narcotics-mania, the gambling fever, the insatiable lust for the irrational. Jeff had his own all-consuming obsession--Paul Conroe must die!After a five-year frenzied chase, Jeff had his victim cornered; he'd driven him into the last hideaway of the world's most desperate men--the sealed vaults of the human-vivisectionists...
Having been fired out of the giant Columbiad space gun, the Baltimore Gun Club's bullet-shaped projectile, along with its three passengers, Barbicane, Nicholl and Michael Ardan, begins the five-day trip to the moon. A few minutes into the journey, a small, bright asteroid passes within a few hundred yards of them, but does not collide with the projectile. The asteroid had been captured by the Earth's gravity and had become a second moon.
On the Earth of the future, cities are overcrowded and the elite have nothing to do but buy fame from people who really do the work. A faster than light drive is invented and Jed Cochrane, a television producer, seizes the chance to change the course of history and free the people who are willing to work for themselves and not be faceless proles.
A great civilization's fate lay in Dick Barrow's hands as he led his courageous fellow engineers into a strange and unknown land. None of them knew what lay ahead--what dangers awaited them--or what rewards. But they did not hesitate because the first question asked them had been: "Are you a brave man?"
The way we feel about another person, or about objects, is often bound up in associations that have no direct connection with the person or object at all. Often, what we call a "change of heart" comes about sheerly from a change in the many associations which make up our present viewpoint. Now, suppose that these associations could be altered artificially, at the option of the person who was in charge of the process....