An American girl, Tressa Norne, has been held in bondage in the Temple of Erlik, an Oriental devil-god of Central Asia. After many years of captivity, Tressa finally escapes to America knowing that an organization of murderous magicians, made up of Yezidees and Hassani, are plotting to take over and enslave the world. A secret agent, Victor Cleves, protects and loves Tressa, and with his support, Tressa battles the black magicians who are trying to kill her. Will White Magic triumph over Black?
These classic tales, centering on an American in Breton and a local French girl include stories about the murder of a butterfly collector and the haunting spirit of a renegade priest.
Edward Prendick, a shipwrecked man rescued by a passing boat is left on the island home of Doctor Moreau, who creates human-like hybrid beings from animals via vivisection.
Presented as a miraculous cure-all, Tono-Bungay is in fact nothing other than a pleasant-tasting liquid with no positive effects. Nonetheless, when the young George Ponderevo is employed by his uncle Edward to help market this ineffective medicine, he finds his life overwhelmed by its sudden success. Soon the worthless substance is turned into a formidable fortune as society becomes convinced of the merits of Tono-Bungay through a combination of skilled advertising and public credulity.
Red Sensua's knife came up dripping--and the two adventurers knew that chaos and bloody revolution had been unleashed in that shadowy kingdom of the fourth dimension.
In the gloomy depths of the old warehouse Dale saw a thing that drew a scream of horror to his dry lips. It was a corpse--the mold of decay on its long-dead features--and yet it was alive!
Four lives lay helpless before the murder machine, the uncanny device by which hypnotic thought-waves are filtered through men's minds to mold them into murdering tools!
Heaven forbid that I should be led into giving countenance to superstition by a passion for impartiality, and so come to share the fate of Eusapia's patrons Frankly, I believe there is something crooked about this business of Gottfried Plattner; but what that crooked factor is, I will admit as frankly, I do not know. I have been surprised at the credit accorded to the story in the most unexpected and authoritative quarters.
It was in a swampy village on the lagoon river behind the Turner Peninsula that Pollock's first encounter with the Porroh man occurred. The women of that country are famous for their good looks-they are Gallinas with a dash of European blood that dates from the days of Vasco de Gama and the English slave-traders, and the Porroh man, too, was possibly inspired by a faint Caucasian taint in his composition.
I was-you shall hear immediately why I am not now-Egbert Craddock Cummins. The name remains. I am still Dramatic Critic to the Fiery Cross. What I shall be in a little while I do not know. I write in great trouble and confusion of mind. I will do what I can to make myself clear in the face of terrible difficulties. You must bear with me a little. When a man is rapidly losing his own identity, he naturally finds a difficulty in expressing himself.