The way we feel about another person, or about objects, is often bound up in associations that have no direct connection with the person or object at all. Often, what we call a "change of heart" comes about sheerly from a change in the many associations which make up our present viewpoint. Now, suppose that these associations could be altered artificially, at the option of the person who was in charge of the process....
The space ships were miracles of power and precision; the men who manned them, rich in endurance and courage. Every detail had been checked and double checked; every detail except--
A daring adventure with huge dollops of geographical, technological, and scientific information, touches of humor, and a slow build-up followed by one exciting incident after another.
There have been a number of interesting theories advanced about life on Mars, but the intriguing picture of the world of Longtree and Channeljumper in its infinite variations, tonal and thematic. The Mars of these two is an old culture, old and finite.
Working on the theory that you can skin a sucker in space as well as on Earth, the con team of Harding and Sheckly operated furtively but profitably among natives of the outer planets. That is--until there was a question of turnabout being fair play in a world where natives took their skinning literally!
How could this man awaken with no past--no childhood--no recollection except of a vague world of terror from which his mother cried out for vengeance and the slaughter of his own people stood as a monument of infamy?
A room in San Francisco where strange things happened -- or a doorway into another cosmos, a different world, or perhaps the key to the past or future?